An artist can go paint, and a writer can go write, but an actor needs to get hired, needs somebody to say, 'Here, come and do this,' That's the hard part.
Brimstone was great. That was another occasion when they called me in to do the pilot and it turned into a regular job, which made me quite happy. It was another really good experience and we were all so surprised when they pulled the plug on it.
I graduated from high school in '62 and I didn't know any people who were gay. I'm sure there were people, but I didn't know any. For years and years, I guess, I was very uptight about being a gay actor. I thought it would make me less hirable.
In open range fires it is about picking a spot and hoping it is the right location. At the head of the fire you have to worry about wind and humidity and a number of other factors.
It is difficult to determine the cause of grass fires. There is usually nothing left behind when we get there, like a cigarette or a gas can, for us to determine what started it.
There are parts of me that I keep secret even from myself. I have demons and I'd love to be able to healthily look at the demons and still be a wonderful actor and not feel I need them to create.
There's more depth to Lionel. What I am finding so interesting about playing him is there's all these different layers. I prefer playing Lionel because he's a human being.
When I first arrived in Los Angeles I became a little bogged down in the whole success thing. Now I'm at a place in my life and career where I just want to work. It's what I do and it makes me very happy.
