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Stephen Sondheim Quotes


A close-up on screen can say all a song can.

After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.

All the best performers bring to their role something more, something different than what the author put on paper. That's what makes theatre live. That's why it persists.

Art, in itself, is an attempt to bring order out of chaos.

By the time I was 22, I was a professional. A young and flawed professional, but not an amateur.

Every writer I've ever spoken to feels fraudulent in some way or other.

Everyone I used to play with has either given up or is dead.

Generally, the best recording is the original cast, because that's the way the piece grew: integrally, with them.

Gotta watch out for directors.

I chose and my world was shaken. So what? The choice may have been mistaken; the choosing was not. You have to move on.

I don't listen to recordings of my songs. I don't avoid it, I just don't go out of my way to do it.

I fell into lyric writing because of music. I backed into it.

I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.

I played the organ when I went to military school, when I was 10. They had a huge organ, the second-largest pipe organ in New York State. I loved all the buttons and the gadgets. I've always been a gadget man.

I prefer neurotic people. I like to hear rumblings beneath the surface.

I really don't want to write a score until the whole show is cast and staged.

I was raised to be charming, not sincere.

I would have been a geologist.

If people have split views about your work, I think it's flattering. I'd rather have them feel something about it than dismiss it.

If you're dealing with a musical in which you're trying to tell a story, it's got to sound like speech. At the same time it's got to be a song.