I have been trying to find out exactly when listeners and performers decided that applause between movements would not be allowed, but nobody seems to have been willing to admit that they were the culprit.
Mozart often wrote to his family that certain variations or sections of pieces were so successful that they had to be encored immediately, even without waiting for the entire piece to end.
Sometimes I wish that applause would come just a bit later, when it is so beautifully hushed that I feel like holding my breath in the silence of the end.
The stage is close to being in the middle of the hall, so that the performers are surrounded by the listeners. I feel that we are all experiencing the music together.
