And so The Snow Queen also became a story about the need to seek equilibrium, in our own lives, with the natural world, even within the universe at large.
As for the historical inspirations I drew on in writing The Snow Queen, I suppose I would call them more cross-cultural inspirations, though they frequently involve past societies as well as present day ones.
Besides, wouldn't it be wonderful if no one ever had to worry about the random cruelty of fatal illness or the woes of old age attacking them or their loved ones?
Beyond that, I seem to be compelled to write science fiction, rather than fantasy or mysteries or some other genre more likely to climb onto bestseller lists even though I enjoy reading a wide variety of literature, both fiction and nonfiction.
But our society does not grant nontraditional forms of intelligence equal recognition, no matter how much it would help us get along or truly enrich our lives.
Here was a fragment of Goddess myth that, through all its permutations, had somehow escaped being turned on its head. It was the perfect springboard for the sort of novel I wanted to write.
I wanted to show those characters discovering it is possible to find common ground, as they make their way through a plotline that I hope is engrossing enough to keep the reader a willing participant.
I was thinking about what I wanted to write next, after my first novel, and had decided that I wanted to write a story with a lot of strong female characters in it.
Studying anthropology, I developed a kind of holistic view of human existence, in which the dichotomies you listed are all necessary and vital aspects of life.